An old friend of mine gained a PhD in the relative clauses of William Shakespeare, with particular emphasis on the later plays. Ground-breaking stuff, she told me, and I’m sure that’s true. My own contribution to Shakespearian studies is rather less linguistic and more alcoholic: I seem to be the first person in centuries of scholarly study of the works of the Bard of Avon to point out that his plays clearly show Shakespeare was a fan of ale, but didn’t much like beer.
To appreciate this you have to know that, even in the Jacobean era, ale, the original English unhopped fermented malt drink, was still regarded as different, and separate, from, beer, the hopped malt drink brought over from continental Europe at the beginning of the 15th century, 200 years earlier. It was made by different people: Norwich had five “comon alebrewers” and nine “comon berebrewars” in 1564. In 1606 (the year Macbeth was performed at the Globe theatre) the town council of St Albans, 25 or so miles north of London, agreed to restrict the number of brewers in the town to four for beer and two for ale, to try to halt a continuing rise in the price of fuelwood.
This separation of fermented malt drinks in England into ale and beer continued right through to the 18th century, and can still be found in the 19th century, though the only difference by then was that ale was regarded as less hopped than beer. Even in Shakespeare’s time, brewers were starting to put hops into ale, though this was uncommon. In 1615, the year before Shakespeare died, Gervase Markham published The English Huswife, a handbook that contains “all the virtuous knowledges and actions both of the mind and body, which ought to be in any complete woman”. In it, Markham wrote that
“the general use is by no means to put any hops into ale, making that the difference between it and beere … but the wiser huswives do find an error in that opinion, and say the utter want of hops is the reason why ale lasteth so little a time, but either dyeth or soureth, and therefore they will to every barrel of the best ale allow halfe a pound of good hops.
The book’s recipe for strong March beer included a quarter of malt and “a pound and a half of hops to one hogshead,” which may be three times more hops than Markham was recommending for ale, but is still not much hops by later standards, though Markham said that “This March beer … should (if it have right) lie a whole year to ripen: it will last two, three and four years if it lie cool and close, and endure the drawing to the last drop.” In his notes on brewing ale, Markham said: “… for the brewing of strong ale, because it is drink of no such long lasting as beer is, therefore you shall brew less quantity at a time thereof … Now or the mashing and ordering of it in the mash vat, it will not differ anything from that of beer; as for hops, although some use [sic] not to put in any, yet the best brewers thereof will allow to fourteen gallons of ale a good espen [spoon?] full of hops, and no more.”
Markham was writing in the middle of a battle fought for more than two centuries to try to keep ale still free from hops, and separate from hopped beer. In 1471 the “common ale brewers” of Norwich were forbidden from brewing “nowther with hoppes nor gawle” (that is, gale or bog myrtle). In 1483, the ale brewers of London were complaining to the mayor about “sotill and crafty means of foreyns” (not necessarily “foreigners” in the modern sense, but probably people not born in London and thus not freemen of London) who were “bruing of ale within the said Citee” and who were “occupying and puttyng of hoppes and other things in the ale, contrary to the good and holesome manner of bruying of ale of old tyme used.” Continue reading Why Shakespeare liked ale but didn’t like beer