There are not many pleasures as fine as good, real, live beer, but one of them is good, real, live jazz.
Luckily, for the 25 years I’ve lived back in London, in eight homes and four different boroughs, I’ve never been more than about 15 minutes’ drive from the Bull’s Head at Barnes. Young’s beer on handpump in the music room itself, almost invariably great performances from the stage by terrific musicians: it’s one of the regularly available delights of the capital that make up for the hassle, the noise and the expense of living in London.
Last Saturday, for example, the band at the Bull’s Head was a quintet led by the piano player Stan Tracey, a man justly called by the BBC “the godfather of British jazz”, with Stan’s long-time collaborator, the Glaswegian tenor saxophonist Bobby Wellins, Stan’s son Clark on drums, Andy Cleyndert on bass and Guy Barker on trumpet. Terrific modern jazz, played with panache and passion – and all for £12 at the door. Frankly, I feel guilty paying so little for something so good – it would cost you more for a not-very-good bottle of wine in the restaurant next door.
Seeing Guy Barker reminded me that I have an LP (remember those?) released exactly 30 years ago by the National Youth Jazz Orchestra, called In Camra, and featuring tunes “inspired” by real ale and real ale breweries. Guy was in the trumpet section, and I’ve been trying to spot him on the cover, which shows the entire NYJO in the brewery yard at Young’s Ram brewery, with Ramrod the sheep front and centre and a fully loaded horse-drawn dray in the background.