One of the particularly interesting facts to emerge from the papers prepared for last week’s BGBW seminar on wood-aged beers was that Greene King has been giving everyone, including our leading beer writers entirely the wrong tale about the name of BPA, the beer that is blended with two-year-old 5X to make Strong Suffolk.
The initials BPA do not, in fact, stand for Best Pale Ale, as writers from Michael Jackson to Roger Protz have been misled by the brewery into saying. They stand for Burton Pale Ale – and if you read the recipe for BPA, which included dark sugars and crystal malt, this makes perfect sense.
The trouble is that nobody today can remember what Burton Pale Ale used to be, and everybody now thinks it’s a synonym for India Pale Ale. It isn’t, at all – they are two totally different beers, in colour and flavour, and united only in being associated with the same brewing town.
Burton Pale Ale, also known as Burton Ale is the original dark, rather sweet beer the brewers of Burton upon Trent made and exported to Russia before they started brewing even paler, bitterer India Pale Ales in the 1820s.
Continue reading Come-back for the Burtons
When I worked on a local newspaper in one of Hertfordshire’s duller towns in the mid-1970s, the news editor rushed in from the pub one lunchtime frothing with excitement – he had just been given a story by a guy in the bar that was bound to make the week’s front page splash.
This man’s mate knew a young woman who was getting into her vehicle in the town’s only multi-story car park, when a little old lady appeared. The old lady asked if she could possibly be given a lift home. “Of course”, the young woman replied, getting into her car to let the old lady in. But as she lent across to open the passenger door, she noticed that the old lady’s hand, reaching out for the door handle, was extremely hairy …
Immediately the young woman slammed her own door shut, reversed out of her parking space and hurtled as fast as possible round to the town’s police station. A squad car shot off to the car park, our news editor was told in the pub, and though the old lady had gone, the police searched the area and found, behind a pillar alongside where the young woman’s car had been parked, a large axe …
Yeah, yeah, many of you will now be saying, and you’ll be unamazed to learn that when the newspaper sent a reporter, notebook ready, rushing round to the police station to check the facts and get a comment, Herts Constabulary said they had no record of this alleged “incident”. Meanwhile, of course, the news editor’s saloon bar informant could not give him a name or address for the young woman driver – our head newshound had fallen for a popular urban myth.
Continue reading Pernicious myths and a ban on hops
Corrected June 20 2008 to adjust for more accurate information – see this post.
The economic values displayed on eBay sometimes bemuse me. Last October a copy of the first, 1974, edition of the Good Beer Guide went after frenzied bidding from what I assume were completists wanting to own a full set of GBGs, for a frankly breathtaking £310 – not bad for something that cost 75p when it was published 33 years ago. Yet a couple of months ago I was able to buy on eBay one of the most important documents in the history of brewing, a genuine example of The Gentleman’s Magazine dated November 1760, for just £20.
The reason why this edition is so valuable to brewing historians is because it plagiarises large parts of a long letter written in a rival publication, the London Chronicle, in the same month by someone calling himself “Obadiah Poundage” on “The History of the London Brewery” (“brewery” used here in the 18th century sense of “brewing industry. , but with one small yet very significant difference.
In the London Chronicle version of the letter, Poundage, talking about the brews consumed in London between the years 1710 and 1722, wrote:
“Some drank mild beer and stale mixed, others ale, mild beer and stale blended together at threepence per quart, but many used all stale at fourpence per pot.”
However, The Gentleman’s Magazine‘s version of this sentence reads: “Some drank mild beer and stale, others what was then called three-threads [my emphasis] at 3d a quart; but many used all stale at 4d a pot.”
Continue reading A three-threads thread
When Coors decided to redesign the packaging for Worthington White Shield, they added a couple of florid paragraphs to the label declaring that this was one of the last surviving original 19th century India Pale Ales, and describing how casks of IPA would be taken out to India by sailing ship, around Cape Horn.
Continue reading Pete Brown, Cape Crusader
(Note: for a longer and more thorough treatment of this subject, go here)
I’m not, when I’m in a pub, a great worrier about what shape of glass my beer is served in, unlike my father, who would only drink out of a thin-walled straight glass – he said he couldn’t stand the feel of the thick-glass “mug” against his lips. The straight-sided, or slightly sloping-sided pint beer glass has been around from the early 20th century at least. But the authentic English “four-ale bar” (public bar) pint mug up to the end of the First World War was actually a china pot in a bizarre shade of pink with a white strap handle – see George Orwell’s classic “Moon Under Water” essay from the Evening Standard in 1946, where Orwell, always the inverted snob, complains that this working-class mug was getting hard to find.
The usual sort of glassware in Edwardian pubs was a handle-less sloping-sided, thick-walled “straight” pint mug (pewter was restricted to the saloon bar). Around 1928 the 10-sided or “fluted” handled glass pint mug came in, and this is the pint glass seen in all the “Beer Is Best” advertising put out by the Brewers Society in the 1930s (it is also, in this drinker’s opinion, the finest glass to consume English ale from).
Continue reading A short history of beer glasses