Laissez les bonnes bières rouler

New Orleans is one of the few places in the world where walking the streets at all hours consuming alcohol from an open container is not just allowed, but actively encouraged. This is party city USA. Bars shut only when the last customer leaves, and will gladly sell you drink to go – and while that used to be, generally, cocktails such as the take-away daiquiri, or the infamous Hand Grenade (equal parts vodka, rum, gin, melon liqueur and pure grain alcohol, with a dash of pineapple juice, served in a hand grenade-shaped vessel), since a change in the law two years ago, that drink is increasingly likely to be a local craft beer.

The beautiful but sadly long-closed Jax brewery by the weaterfront in New Orleans

I was in Louisiana ostensibly for a music tour: the first weekend of the New Orleans Jazz and Heritage Festival, and then a trip out to the south-west of the state, where settlers expelled by the British some 260 years ago from Acadie, the French colony on the Atlantic Canadian shore, eventually settled and became known as Cajuns. The plans included an open-air Cajun crawfish boil, with music from masters of Cajun song and dance. But there was enough free time to fit in plenty of beer tourism as well, and multiple places to choose from. Louisiana may have almost the lowest number of breweries per head of any state in the union (only neighbouring Mississippi is worse), but the world brewery boom has not completely passed it by. The state now has 30 craft breweries, three times more than in 2010, and New Orleans is home to nine of them, after losing its only surviving large brewery, Dixie, to the floods caused by Hurricane Katrina in 2005 (The Jax brewery had closed in 1974). What is more, since New Orleans is one of the top eight tourist destinations in the United States, at least a couple of operators have started organising minibus tours taking in several local breweries at once, reckoning that the huge growth in interest in craft beer makes for a potentially lucrative niche alongside the other organised tourist attractions, such as paddlesteamer trips along the Mississippi and visits to spooky cemeteries and antebellum plantations.

You have to be prepared to be flexible here, since beer tourism is still at the toddler stage, and if not enough people book a tour, it will be cancelled at almost the last minute, which is what happened to one trip I had organised before I arrived in New Orleans. But I still managed to get to see eight different breweries, or more than a quarter of all that Louisiana offers, AND hear some wonderful music AND eat some fantastic food AND see some amazing, beautiful sights AND get soaked almost to my underpants in one of the drenching hours-long thunderstorms New Orleans is prone to.

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Why the clear glass bottle question means I’m not bothered Marston’s is buying Charles Wells

Estrella believes in the power of the brown bottle: it’s a pity a few more British breweries don’t

Yesterday’s announcement that Marston’s is acquiring the Charles Wells Brewing and Beer Business for £55 million and loose change (or “working capital adjustments”), at a pretty conservative 5.5 times ebitda, adds another five historic old brewery names, Courage, McEwans, Young’s, William Younger’s and Wells, to a portfolio that already reads like the line-up at a quite good small beer festival circa 1990: Marston’s itself, Banks’s, Jennings, Thwaites, Ringwood, Wychwood, Brakspear, Mansfield, Mitchells (with Lancaster Bomber) and, if you include beers Marston’s brews under licence, Bass and Tetley.

It will give the company six working breweries, and more than 50 “ale” brands, from Bank’s mild to McEwan’s Champion. That’s around twice as many as its closest rival, Greene King, which runs just two breweries, its own original home in Suffolk and Belhaven in Scotland, and continues brewing under the names of just five vanished brewers: Morlands, Ruddles, Ridleys, Hardy’s & Hansons and Tolly Cobbold. On the retail side, however, Greene King owns around 3,100 pubs and bars, making it the third biggest operator in the country, Marston’s “just” 1,750 or so, meaning it vies with Mitchells & Butlers for fourth place.

So what’s with Marston’s policy of adding ever more seemingly pretty similar “twiggy brown bitters” to its line-up? I interviewed the company’s chief executive, Ralph Findlay, two years ago, right after Marston’s had acquired Thwaites’s beer portfolio and made those beers available to all its pubs, and he was pretty specific about the desire to increase further his already considerable ale offer: “Choice is where the market is at,” Findlay said. “Range is something you simply have to have, both for licensees and their customers.” Even after the Thwaites acquisition, he said. Marston’s would continue to look for “opportunistic” purchases if they came up: “We look at potential acquisitions that are consistent with our strategy and which can contribute to our return on capital. We have had a strategy over the past five years that’s not been reliant on acquisitions, though we’ve made them when it’s been opportunistic to do so, such as the acquisition of the Thwaites brewing business. I think we’re in the fortunate position of having an incredibly strong beer range from the various breweries that we’ve got. It’s a strategy that is undoubtedly working.”

Why not, like others, just buy in beers, rather than buy breweries? Because, as Findlay says, it’s a strategy that is working. Marston’s also revealed its half-year figures yesterday. Own-brewed beer volumes were up two per cent, in a declining market. Sales were up three per cent, to £440.8m. Average profit per pub was up three per cent. Like-for-like sales were up between 1.6 and 1.7 per cent. More City analysts than not continue to have the company as a “buy”.

Should we mourn the capture of more beer brands by one large company? Not in this case, I believe, and the reason is something you probably don’t know, because Marston’s has never, curiously, made a big parade about it. Five or so years ago, Marston’s brewers made a mighty oath that they would not let any of their beers continue to go on sale in clear glass bottles, believing that the dangers of the product they poured their hearts into being light-struck and skunky through not using brown bottles was too great. The company’s marketeers accepted the brewers’ ruling, something that brewers at no other large UK ale brewery, apart from Fuller’s have been able to achieve: Greene King, Shepherd Neame, Hall & Woodhouse, all sell some or several of their beers in clear bottles, and even Charles Wells has at least one several of its brands, includingWaggle Dance (originally, history fans, made by Wards of Sheffield Vaux of Sunderland, then Vaux, then Young’s, and thus about to be on its fourth fifth owner) and the Burning Gold iteration of Bombardier (as the Beer Nut reminded me) in flint glass. The commitment by Marston’s to beer quality ahead of spurious marketing arguments about how consumers are supposedly encouraged to buy beers that they can see the colour of makes me more confident that Wells’s brand are in relatively safe hands under the boys from Wolverhampton.

Ironically, or at least I think it’s ironic, one of the brands Marston’s is acquiring distribution rights to via the Wells purchase, the Spanish lager Estrella, has just been running an ad campaign un the UK under the slogan “Darker bottle, better beer”, explaining to consumers that “research has shown that exposure to light damages beer and affects its flavour”, and for that reason it was darkening its bottles by 30 per cent.

I’m slightly puzzled that Charles Wells has said that, while it will now be concentrating on its pub estate, it will also be building a new small brewery in Bedford to brew the Charlie Wells “craft beers” and John Bull range, which it is not selling to Marston’s. Is this continued toehold in the brewing world a way of appeasing the family shareholders (many of them formidable elderly females who, Paul Wells once told me, all had his phone number and would ring him up when they felt the company’s figures weren’t good enough) who might try to vote down the sale of the main brewing operation if they felt the company was cutting off its roots after 141 years of supplying beer to the people of Bedford?

Charles Wells currently brews several beers I’m very fond of, including Courage Imperial Russian Stout, Young’s Winter Warmer and McEwan’s Champion, that will now be brewed under Marston’s control. For probably the only time ever, I’m going to let Tim Page, chief executive of Camra, speak for me: giving a cautious one thumb up to the takeover, he said yesterday: “Marston’s has a positive track record of keeping the breweries it acquires open, in situ, and in many cases investing in the sites to increase capacity, and we urge them to continue that policy. We’d also encourage them to protect the brands that they have acquired and increase the range available to beer drinkers, by continuing to supply them alongside the existing beers produced by Marston’s owned breweries.”